Thursday, October 23, 2014

Technology Questions - Should I buy a Mac or a PC?

Every few days I'll see an innocent post to one of the popular Facebook Groups with the same question over and over:

"I need to buy a new computer for photo/video editing. Should I get a Mac or a PC?"

This single question drives me crazy more than anyone asking how to #1 Decrease Depth Of Field in their photos, or even #2 Where to buy V-Flats. (To answer those two, #1 RTFM and #2 Home Depot) What drive me crazy isn't that the Original Poster (OP) is trying to gain knowledge about computers, but the flame war that ensues by the people trying to answer the question. The answers vary from "Buy a Mac, they're awesome" which is acceptable but lacking detail to "Sue Bryce uses a Mac so they must be good"  which is completely useless advice from clueless creatives.

In the past (even 20 minutes before writing this) I have typed out a technical yet easy-to-follow comparison of the two paths in question and try to descend from the IT-Heavens to disseminate knowledge upon the hoards of clueless creatives, only to have my knowledge burned at the stake like the poor souls at the Salem Witch Trials. (I have a flair for the dramatic.) In order to prevent myself from getting carpal tunnel, I'm writing this post to simply drop into these ludicrous flame wars on these forums so that I feel like I'm adding something intelligent to the discussion instead of what everyone else does: Unceasingly Pointless Bickering.

Now I realize that most people closed their browser tab to this post just now... so... Now that the ignorant fanboys have left the conversation, we can safely have an intelligent monologue about this topic. (It's only a dialogue if you post in the comments below or ask additional questions. Anyone commenting with "ur wrong cuase feelz" should feel free to refrain from commenting until they can use English properly. If I passed 8th Grade Journalism so can you.)

The Cliff Notes Version: It doesn't really matter. Stick with what you are comfortable with.

If that's all you needed, you can close your browser now, but if you needed more than that, grab a coffee and strap yourself in.

The Full Version:
First, a little background: Why is Mac even an option? Apple was the bees knees for creatives until Apple's desire outreached their potential. Adobe had first developed many of the creative/GUI tools that Mac users rave about even today for Apple that weren't available to PC users at the time. In addition, the hardware that was used for Macs was top notch and avoided "cheap" parts whenever possible thus making a Mac akin to making a Porsche. However, Apple knew that in order to make a polished operating system with robust features "to sell to the masses" (like adding air-conditioning and leather seats to the Porsche) they abandoned the practice of making their own processor, "The PowerPC," in favor of a long-term commitment with Intel to manufacture the processors instead. This important change in CPU architecture had a lot of effects, including bringing Macs and PCs closer together than most people realize. Since that time (1999-ish) Macs have used the same Intel processors that many PC users had already been using. The architecture of the Mac changed and became more PC-like than most modern Mac users even realize, but without the innovation from Apple, PC users would likely still be using Unix-like text prompts to handle basic tasks. I still find it entertaining when I hear a Mac user say that the "Core i7" in the Mac is designed by Apple simply because of the "i" in "i7." Nope... Sorry buddy, but that's an Intel Chip and most of their lineup uses that nomenclature.

Okay, so why is PC even an option? This question is simple compared to the Mac answer. Americans like stuff that is "good enough" and "cheap enough." After all, the Common Man, as Copland might say, doesn't need a Porsche just to get to work when a Toyota would do the job just as well. In fact, last-year's Toyota would do even better since that hardware has been proven already. For this very reason, most users choose PC over Mac because of cost alone. To them, the difference between a Porsche and a Toyota is meaningless since they just need to get from A to B. With the resulting ubiquity of PCs most software developers and hardware manufacturers, even Adobe and Intel, needed to come to terms with that ubiquity in order to remain profitable. In order to drive down costs and be competitive, decisions were made to use less-expensive parts on some builds so that the Common Man would buy them. Obviously, using less-expensive parts meant that those parts didn't last as long. In the past decade or so, there has been a desire for Power Users and Enthusiasts to have better hardware for their machines without going "all in" with a Mac. In the same way that Toyota has Lexus, Hardware Vendors started to produce better models with better hardware that lasted longer and had nicer features. Even still, some Enthusiasts wanted even better hardware and started building their own machines with hand-picked parts. These machines are similar to the Porsche analogy that we used above. They aren't cheap, but they're incredibly reliable and perform very well.

Note: I find that it might be important to mention here that what most people call PC isn't always "Windows." There are a lot of operating systems that use this type of hardware and Linux-Based OSes are a prime example of that. However, for the simplicity of the argument we're leaving Linux out of this equation until Adobe starts writing software for Linux natively or the Indie Devs can catch up with Adobe which is a good possibility in the next 3-5 years if Adobe keeps treading water insteading of moving forward.

With our brief, and completely abridged history out of the way we can tackle the current arguments at hand:

Mac Fanboys (a Fanboy is someone so blinded by their love for something that they will talk trash about other choices without performing any in-depth analysis) will say the same 3 things every time this argument is presented to them:
1) "Buy a Mac cause it is faster and lasts longer."
2) "Buy a Mac cause *some big-shot photographer* uses it."
3) "Buy a Mac cause it's easier to use."
Two of these arguments are stupid and the remaining argument is personal and doesn't apply to everyone.
1) Mac Users that compare a $1400 Macbook Pro to a $300 PC-based laptop are intentionally misleading you. It's a dick move to say "My Porsche is faster and will outlast your Toyota." For crap's sake, I should hope a $1400 machine beats a $400 machine.
2) Are you Sue Bryce, Jeremy Cowart, or Chase Jarvis? What makes you think that their answer will be your answer? Would you change your religion to be like them? Would you buy the same underwear or live in the same neighborhood just to be like them? Of course not. You're not shooting the same style with the same clients as they are. Trying to "be like Jarvis" will do nothing but frustrate you. Please observe them and emulate them until you figure out who YOU are, then move on to buying your own underwear.
3) Not everyone finds MacOS easy to use. I find it frustrating as hell. I don't particularly like WindowsOS either. Not everyone likes g-strings so trying to convince someone to buy a g-string cause it worked for them might not make sense to you. You find what works "good enough" and you roll with it.

PC Fanboys... I love you guys but your arguments are often just as lame as the Mac User's.
1) "Buy PC because they're cheaper."
2) "Build your own PC cause then it will be better than anything else."
3) "It is easier to find software for PC."
These 3 things have similar issues to those above...
1) Your $400 laptop might be cheaper, but in 3 years you'll have to replace it cause it will have melted a hole in your desk. Cheap Laptops suffer from bad airflow. Stop recommending them.
2) Not everyone is capable (or even interested) in building their own PC. If they were capable, they wouldn't be asking for advice.
3) If you plan on using your content-creation machine for doing other things, this argument *might* make sense, but if it's only for content-creation and that's it, Adobe (and others) already write for both major OSes, so your argument makes no sense here.

So, with those out of the way, let's get down to business and say that Creatives want 3 things:
1) A Machine that is powerful enough to get work done but it must last a long time. We don't like buying the same things twice or replacing parts every few years.
2) A Machine that is going to run the software that we need it to run. A lot of us use Lightroom and Photoshop. Some of us use FinalCut and Premier. We need a machine that can use this software.
3) A Machine that can use our favorite peripherals, like external hard drives, weighted mice, Wacom Tablets, and IPS displays.

So, what is the answer to those 3 questions? Simply put: If you spend the appropriate amount on a machine, it will do all of those things. A $1400 Mac will do those things. A $1400 PC will do those things. Your editing rig is not the place to skimp out and spend only $400 because you blew all your money on a Nikon D4 or a Canon 6D. (If you bought a 6D and are still using a 6 year-old Dell, shame on you.)

 On the Mac side, I recommend the 13" Macbook Pro for $1300 and adding the 27" Thunderbolt Display ($1000) to use for your main screen. The Macbook Pro has an aluminum housing and the IPS (aka Retina) display for sharp lines and accurate colors (once calibrated). Thunderbolt and USB3 are about the same speed (within margin of error) so you aren't missing anything there. This setup will allow you to take just the Macbook when you need to be portable while still having a quality display when you're at your desk to do serious editing. If you opt to put the 27" display off until later however, you'll struggle with using the 13" display on the Macbook as your primary screen.
On the PC side, I recommend the 15.6" Asus N550JK for $1400 and adding the 27" Asus PA279Q Display ($1000) to use for your main screen. This Asus has an aluminum housing like the Macbook Pro above as well as an IPS display for sharp lines and accurate colors (once calibrated). Thunderbolt and USB3 are about the same speed (within margin of error) so you aren't missing anything there. Like the Macbook Pro above, you can take just the laptop with you when you must be portable and still have a 10-bit panel for getting serious editing done. Editing on the 15.6" alone isn't dreadful, but you'll quickly find yourself hunched over your rig as you struggle to smash your face closer to the screen after an hour or so. Get the big screen as an add-on ASAP.

Both of these setups are essentially ready for software to be installed, a color calibrator, and some content to create. Building your own rig can be cheaper, but installing hardware, OSes, and drivers sucks the life out of most mortals, so getting a pre-built Macbook/Laptop is my recommended option. Also note that these rigs only have a single storage device in them: The Macbook only has a 128GB SSD while the Asus only has a 256GB SSD. I consider this a GOOD thing. A single drive in your workstation isn't adequate regardless of it's size. In fact, the only thing that should be on your internal drive aside from the OS itself and Lightroom is your Lightroom catalog. That's it. Without Backups and Archives on external devices, your workflow is on the brink of disaster. I can cover storage solutions in another thread, or maybe I can make a video, but storage is actually more important than the editing rig you own, in my honest opinion.

Ok Jeremy, that's all great, but I don't want to spend $2500 on a computer just to edit photos. Good for you. If you aren't working with the massive RAW files dumped out by the newer cameras you can get away with buying a used rig and just rolling with it. I shoot with older gear and I edit them on an older PC I built 6 years ago because I can get away with it. To edit my 10MP RAW files, I'm using an AMD Triple-Core on a custom PC that I built for the purpose. If I was editing 2000 36MP files from weddings every weekend, I'd be upgrading in a hurry. I shoot editorial headshots and such once or twice a week right now so I have maybe 200 10MP files to go through. My PC doesn't struggle with them, so there is no need to change anything.

So what do you think? Does every content creator need a Porsche or can some get away with the Lexus or even the Toyota? Leave your well-thought and polite comments/criticisms below.

Tuesday, October 14, 2014

Windows 10 Preview: Why do I even care about it?

Several years ago when Adobe decided to drop support for Windows XP in Lightroom there were a number of people that were upset. Many people were still using Windows XP despite the fact that the OS had been released over 10 years previous to the announcement. However, Adobe had decided that the OS was limiting their ability to move forward with their software titles and let XP die a peaceful death. That left a lot of people with some decisions to make.

From my personal experience with the Microsoft* OSes, I'll list a brief review of actually using them in real life:

Windows 3.11 - meh.
Windows 95 - okay. Introduction of the Start Button.
Windows 98SE - OMG this is awesome. Gamer's Delight!
Windows ME - WTF is wrong with Microsoft? Nothing works.
Windows 2000 - Okay, I understand who this is for.
Windows XP 64bit - Very good. Kinda sucks on 32bit, but most people didn't have 64bit like I did.
Windows 2003 - The gold standard for most people with their MCSA
Windows Vista - meh. Microsoft's "minimum requirements" were set much too low.
Windows 7 - Finally, a decent replacement for Windows XP.
Windows 2008 - Same feel as Windows7, but all the server tools that nerds like me need.
Windows 8 - WTF? Where is "Start?" Multiple Personality Disorder between traditional desktop and "Metro" UI.
Windows 8.1 - The return of the Start Button... but everything else still sucks
Windows 2012 - Wait, why only a 4 year product cycle on a server OS? $$$$$$
Windows 9 - mysteriously absent
Windows 10 Preview - What this post is about.

With Windows 10, it appears that we might have a real candidate to replace Windows 7 in home environments. Most businesses won't budge from Windows 7 until solid proof that a new OS is up-to-snuff.... Which Windows 8 is certainly not.... But Windows 10 might be able to do it once the 1st Service Pack comes out.

When I test out a new OS, I don't load it onto a blazing fast quad-core with 16gigs of ram and huge hard drives with SSDs for the /. I load it on an absolute piece of crap that I have lying around. Why? (you may ask...) Well, Lemme put it this way: Most people don't upgrade their hardware just to run a new OS. It's expensive to have that short of a lifecycle with hardware... (don't tell Mac users though... they get really huffy about their elitist hardware). So with that said, I installed Windows10 Preview 32-bit on my MSI Wind U110 with the anemic Intel Atom Z530, poorly-support Intel GMA500 graphics, flaky WiFi "G", 2GB of RAM, but I have upgraded the 160GB WD Blue that it came with to a A-DATA 32GB SSD... for which there is no discernible performance increase due to the Atom sucking air most of the time. This netbook is probably my biggest source of buyer's remorse I've ever had but it functions "meh" enough for messing around with in situations just like this.

After installing the ISO from Microsoft onto USB stick, I started up the laptop for the install process only to discover that my SSD was missing. The Silicon Image SATA controller's driver wasn't part of the included drivers on the ISO. Windows7 included the driver, but Windows10 does not (as of this writing). After snagging the driver from MSI's website and throwing it on another USB stick for install, the SSD was recognized and away we went. The install took about the same amount of time as most other OS installs on this netbook: Overnight while I slept.

The "Who Are You?" style information that the OS wants is about the same as W7 but with a different paint job. All but the most-clueless users will float right through the prompts. When we finally get to the desktop we get a familiar view.

One thing that I did have to change right away is the screen resolution. 1024x768 is the "normal" resolution on Windows, but my display is actually 1024x600 on this netbook. The screenshot doesn't "squish" the image like it does on the screen, but the difference on the viewing experience is noticeable.

After the change:

Little did I know that changing the resolution to the native size for my screen would cause problems later in some of Windows10's apps. This is most noticed when you attempt to view the Store, One Drive, or Search utility.

What I found entertaining is that you can open up the Screen Resolution panel, change it to 1024x768, open the app you want, then change the resolution back to native.

This problem was easy enough to complain about in the Feedback app, which ALSO required the resolution hack to be used to open... Tsk Tsk on reducing functionality in order to keep things "pretty."

The apps are interesting. Some of them might be useful. It's really good to see Microsoft finally trying to have simple apps be as simple to install as Ubuntu started doing with Unity 2 years ago.

Speaking of things that Ubuntu has been doing for years, the Task Switcher is fairly familiar to those that have used this in the past.

On this netbook, the windows maximize and minimize with relative snap, but you can also tell that even when there aren't many apps open, the Atom Processor is relatively busy to make things smooth while trying to conserve power by leaving the core under-clocked in most cases.

All of the normal Power Option seem to work correctly, and the Critical Battery shutdown seems to work as it should. This is important to anyone that's on the go and always pushing their luck with their devices.

Everyday use of the OS has been relatively painless until my obsession with multiple tabs open in Chrome. I will note that during streaming of sound or video that it can be choppy depending on the quality of the data. Video cannot run at even 720p on the netbook while "Normal" quality in Spotify was okay *most* of the time. In other cases, I'd get an occasional "oh crap" message, but it was rather non-descript.

Finally, back to my original point of why I tried this OS out: Could I stand it being installed on my main Lightroom/Photo Editing rig? Yes. I don't believe that there is enough different with the interface that I'd hate it (which is why Windows 8.1 won't ever touch my rig). This is a double-edged sword though.... There isn't enough different to warrant the upgrade, at least as far as the GUI is concerned. I might need to install W10 on a separate SSD for testing on my LR rig, but until I do that, there's no benefit to destroying my workflow for an experiment. So, do I recommend this for playing around and watching cat videos on YouTube? Sure, but W7 is solid at that already. Should you upgrade for the sake of upgrading on a machine that you have an established workflow on already? NO. Wait for Service Pack 1 like the IT-nerds do.

* - Note that I'm currently using Ubuntu 14.04 LTS for my everyday computing needs. It does almost everything I need with the glaring exception being that Adobe Lightroom does not run natively in Linux... and Wine implementations are wonky and inconsistent if you can even get it installed/running.

Tuesday, March 25, 2014


Zack Arias recently started up an Assignments section on his new sub-blog, DEDPXL. I haven't shot a ton in the past 6 months (even for personal work), so I thought it would be awesome to jump in and see how well I can follow directions.... :-)

This assignments was "lines" which I found to be quite difficult. You see, When I think "lines" I think straight lines. Always. This little phenomenon of "only straight lines" pissed off my art teacher in college to no end. In this assignment, all of the shots are from my Android using the Vignette app.

So without further stalling:

Based on these results, my filter for black and white conversions is well beyond "a little muddy" and it would be useful for me to take a look at my phone photos on my color-balanced monitor more often. The top 2 photos are basically how I saw them in my head, while the last one I could have turned down the dark corners a little. Beyond that... I'm hoping for a C since I have a really hard time with following directions. :-)

Thursday, September 19, 2013

The Power of Music

Every once in a while, I find myself caught completely off guard by a song I hear. I won't even have to hear the song for a flood of memories to rush in and get me reminiscing of a time and place that happened half a life-time ago. Mostly, I think about the people that were in my life... and on occasion one song reminds me of one person along with all of the decisions that were made that helped shape that relationship.

Now, don't get me wrong: A lot of people get this feeling of nostalgia that comes along with hearing an old tune on the radio, but I find myself literally caught off guard, including a rush of emotions that leaves me feeling vulnerable. It's a rather strange feeling.

Even more strange is the thought that hearing a song that was written well-after a time in my past can remind me of a person, and then the song that I associate with that person plays in my head at the same time the newer song is playing... I guess it isn't true what they say: Men DO have a multi-track mind.

Although the person that I'm reminded of will never read this post, I feel compelled to tell a story with as much ambiguity as possible... I know that sucks for the reader, but since there are only 3 people that follow this blog... I think I'm in the clear. ;-)

I'll start off with the song that was written well after the memories I have: The Dillinger Escape Plan's Parasitic Twins. The words have made me think about the same person EVERY TIME I've heard them. What's most astounding about this song is the words just.... remind of things that I should have said, but didn't say... because I didn't know I had a time limit to say them. It's like it's a dying man's lament in regards to the proverbial "shoulda, coulda, woulda." The video I'm attaching isn't a video of the band... but it's portrayed exactly the way that my memory fits the song:

Obviously, the old lady is the "girl" that I'm finding myself thinking about.... She made things for me; Not in the literal sense, but the proverbial. I adored her... Actually loved her... Deeply... and I never told her the depth of my feelings because there was never an appropriate time to do it. As a result, we never dated. What's super strange is I find myself to actually be in this video twice: In one instance, I'm the extraordinarily-tall gentlemen that's dancing and carrying on with the old lady. And in the other, I'm the "bell hop" that's simply watching, even guiding myself in the dream/fantasy that has been created. I can't really interact with myself. One skewed (yet incredibly accurate) detail is that the old lady in the video is how I see the person in my life now... It's like she has aged after the time the memory was created.... but I didn't. That's why this video is so fitting to the song in my head. I didn't age in my memory... but I can't allow her to not age due to the passage of time. She's still beautiful, but the passage of time for her is indicative of not being able to go back and "fix" my mistakes.


Mistakes is what brings me to the original memory that was created: Cake's Never There. It's the song that was present when I was deeply lamenting over what had happened. The live version is actually better since it's incredibly imperfect... but you can hear John McCrea's voice just so "angry" about what happened. That live voice can't hide what he was able to during the recording of the album... It's true: I was literally angry, and hurt, when my moment had passed and I had done nothing:

Anyway, the passage of time can allow some wounds to heal, but when you hear an old (or newer) song that causes those feelings to rush back and try to tear you apart again. It's agonizing. Don't get me wrong: I love my life now and how it is, but when those feelings from the past rush back in it's incredibly painful despite what the current situation in life is.

Drop a comment if you know what I'm talking about... Or don't.

Tuesday, July 30, 2013

Lightroom 5, Adjustment Brush Chaos

Last week I upgraded from Lightroom2 to Lightroom5. It's a rather large revision integer increase... but from what I've heard about the adjustment brushes being enhanced it seemed like the time to do it.

Given: My setup is not a traditional photographer's setup being that my extensive background in IT prevents me from having a "normal" setup. I simply know better than to just "let it be."

With that said, here is a list of geeky stats that mortals can feel free to skip without retribution:
AMD AthlonII X3 455 - (3.3GHz TripleCore)
GSkill 2x4GB DDR3 1600
Seagate 250GB (7200.10) for the filesystem
WD 2x500GB (620AS) (RAID1) for the DNGs, JPGs, and LR Catalog Backups
IBM LTO2 Drive for Long Term Archiving
Ubuntu 13.04 x64 HOST
Windows 7 SP1 x64 Guest (with 2cores, 4GB RAM, and 40GB HD reserved)

As most geeks can see, my system is fairly modest as far as components go. In LR2 (XP Guest) I noticed when using SyncAll and Exporting that it would take quite a while to get those functions done. I believe that this is purely due to a lack of available clock cycles and RAM. Upgrading hardware has been on my To Do list for two years, but I'm content just grabbing a bite to eat while I export photos.

Regular Folk continue reading here:
My initial review of it is that it's faster in some ways and slower in others. The interface loads faster than LR2. Exporting photos and Adjustment brushes execute about the same. What is slower is the backup of the catalog. I don't segregate my catalogs like other folks I know so everything is in one giant file going back to 2011 so this isn't a big factor for those folks.

I've tried the new sharpening algorithms and I was able to take a photo with unacceptable sharpness to acceptable. That's something that LR2 wouldn't have been able to handle: Out of Focus edges stayed out of focus and unrecoverable. So this bit is fairly impressive. Don't think that the new sharpening will save your ass when you blow it though since this isn't magic. Those of you with Canon 85/1.2 will still have blurry eyes of you're not paying attention. My tests at 35/2.4 (which is fairly forgiving) still had issues when it came to being loose with focus points and technique.

The Noise Reduction is definitely better than LR2, but again, it's not magic. My test shots at ISO800 were passable, but still not anything good enough for me to share online. More Light is Better. Good Technique when shooting saves more time with better results than the "fix it in post" mentality.

One issue that miffed me was the adjustment brush wouldn't appear in the Develop module unless I hovered over the Size and Feathering sliders.

Mouse hovering over image field (no, really... totally invisible):

Mouse hovering over Size slider:

I could still use the brushes, but obviously accuracy was in the crapper since I couldn't actually see where the brush IS...only where it HAD BEEN. This is obviously troublesome for workflow. I found an article HERE that talked about this issue, but I thought I'd walk through it briefly while I was talking about it. All that I needed to do was decrease the amount of acceleration that was being used for the video card. (Sidenote: Yes, this affected Windows7 when natively installed as well as virtual machines.)

Firstly, use the Control Panel to bring up the Display Settings, then select Advanced Settings:

 Then select the Troubleshoot Tab, then click on Change Settings:

From here, back off the Hardware Acceleration slider from Full to the Next-Best setting and click OK:

Once your back into the Adjustment Brush Tool in the Develop Module, the brush is actually visible:

Anyway, I'm looking forward to using LR5 in the coming months and I'm hoping that there aren't any additional weird stuff with the interface but we'll see. I don't upgrade software very often so I'll be sure to relate if this integer increase was actually worth it in the long run.

Tuesday, July 16, 2013


I'd love to say that I've been completely inactive for the past 6 months because I'm working on some super-secret project.... but I can't.

I'd love to pretend that I'm the too-big-for-my-britches fancy-schmancy photographer that declares each project or job they've completed was a total success on facebook and other social media... but I can't.

I'd love to post 4 beautifully lit shots with a background story with this post... but I can't.

I haven't even been shooting much on my phone let alone anything proper.

I can't lie to myself and I can't lie to you: I haven't been shooting because I've been depressed... and I've been depressed because I haven't been shooting. I'm exceedingly aware of this detrimental reciprocity but I can't seem to pull out of it. It's certainly not due to a lack of trying; Plans and Shoots keep falling apart. Scheduling issues and not feeling well have been contributing to the issue as well. Grandparents have died, loved-ones are getting cancer, memories of disappointing old teachers...

So what's happening with me?
Did I define my niche' so well that the right client is as rare as triple rainbows?
Did I price myself so that I no longer lose money on each job only to discover that now no one can afford me?
Do I really suck at photography as much as the voice in my head says I do?
Did I decide to make work that's so random that it's not meant for general consumption?

It's quite the conundrum: On one hand, I'd love to be so busy with work that everyone books me for everything like I'm a brand-new photographer doing family sessions for $25 including a DVD of 1000 images... BUT... on the other hand I want my work to be paced properly and high-quality like the client just paid me $1000 for a single print on their wall. Does the price I place myself at matter as much as the work I make? Not at all, but watching social media lately it looks like everyone is suffering from Multiple Personality Disorder.

I'm beginning to see why photographers just shoot for themselves and declare to the world that they're Fine Art Photographers instead of trying to wrangle in clients that don't really "fit" their niche'... That sounds lovely right now: Paying subjects to sit down and be patient with me while I extract photos from idea precipitate, then sell huge, limited-edition prints of the work at the Artist's Market or consignment walls at the local pub to the correct client. Complete control over my process would be amazing.... Complete control over my life would be amazing.... but that's not what I have. That's not what any of us have. I have to make my time away from my family count for something and that means getting compensated in a way that's easy to calculate in US Dollars.

If you've made it this far through the post maybe you feel the same way about something in your own life. Most people keep these negative thoughts in their own head but I've been doing that for months and it hasn't been helping. I'd rather be complete honest about myself than pretend that I'm something that I'm not. "You shouldn't say that stuff because it's bad for your business!" Sure... Maybe... But if I'm lying to everyone about how awesome my life is isn't that just as bad?

Its time for a change. I'm off to schedule something awesome in hopes that it pans out.
What are you going to change in your own situation?

Saturday, February 16, 2013

Selfie Challenge!!!! #3

Imagine that Voice-Over-Guy that does work for the Movies...

The Self Portrait Challenge.... One Man.... One Woman... taking photos of themselves....

Okay... that's enough of that.

Last Week, Carolina posted a lovely mirror shot, per my request. You can see the results of that photo here: Self Portrait Challenge, Round 2

Her Challenge in response to mine? "A photo booth type series with a different emotion in each photo."

Brutal. Showing emotions is really hard for me... Being happy is great and all, but showing other emotions honestly, and in public, can be really hard. It reminded me of the Japanese and how they have one "mask" that they put on at work and something else when they're being truthful... It's called Honne and Tatemae. You can read about it here:

Anyway, with that in mind, and the fake emotions we put on, here is this week's submission:

Nerd Alert: Shot with my Android using Vignette with the "Holga" filter. Arranged in GIMP 2.6

Carolina, This week your challenge is to use off camera flash... but not just FOR your photo.... I want the Off Camera Flash to be IN the photo. ;-) (I'm sure you have a flash laying around somewhere....)